CHINESE NEW YEAR PARADE, PARIS, 2010

March 1st, 2010

CHINESE NEW YEAR PARADE, PARIS, 2010

Bamboo sticks suspended mid-air,

les batteurs are frozen,

along with their red drums.

The cymbal players too

and the girls in sleeveless red and yellow frocks;

from the exhaled breaths

of spectators along le Rue de Payenne

coils of smoke constantly create

a double helix with the streams of ice

from congealed firecrackers, hover

high as the balconies where a few residents

peer out, their eyes becoming distant stars.

Only the dragon moves, slithers with no end in sight,

blocking the street so none can escape.

I fear I will suffer a morte de froid

(O it sounds so much better in French! )

hands stiffening despite three sets of gloves.

When will a gong ring out to end

this cauchemar, this dream that might not be

a dream at all.

BLUE SNOW (poem)

February 23rd, 2010

BLUE SNOW

Despite the blue patina

and the prospect of discovering

what grows below its deepest layers

I don’t want to risk descent

into the 10 foot snow dune

outside my front door,

the wind shifting its curves

so the dune becomes frozen surf

that parts to reveal

a pregnant belly dancer

in pre-dawn darkness

tinged violet in the weak sun–

which may be just a memory of sun.

I try to clear a path, using a dustpan,

shaggy broom, a few empty cans.

But why bother when I can admire from within

the intricate surface-glints,

strings of ice forming chains

for the solid gems beneath.

POCKETBOOKS (poem)

February 4th, 2010

POCKETBOOKS

Back around 1928 when everyone wore hats

and women carried pocketbooks,

genuine alligator bags with gold clasps

big enough to hold lipsticks, powder

puffs and rouge, a stash of nickels for the subway,

perhaps even Lucky Strikes in jeweled cases,

Back around 1928 my grandma Annie

got her first silver fox shawl

with real fox-heads and paws at each end.

Rich cousin Bessie Shlansky

had a full-length sheared mink coat

and the upstairs neighbor wore beaver

with a matching hat, Rose from Albemarle Road

owned  Persian lamb plus a

leopard coat with a tam, what a zoo

when they  paraded together on Ocean Parkway

for the High Holidays.

Though hers was not a coat,

Annie  was proud at last to own fur

only a couple of decades after Ellis Island.

I don’t begrudge them their happiness

despite the flaunting of animal skins

back when Green referred to Greenhorns, the latest

immigrants, those  lucky enough to get through

before the gates of America shut

And poverty was just around the corner

the clouds in the Old Country

already tinged black.

HOLY STONE (poem)

February 4th, 2010

HOLY STONE

The small white stone

I lifted from Jerusalem’s Old City

not far from the Wailing Wall

and quickly slipped into a pocket

joins upon my return

my many other free souvenirs

from the many places I’ve traveled

my Global Village of many-colored stones

tossed into a jar, not one stone

marked by place of origin

or geological tribe, nearly all

in contact but never fusing—

yet no conflicts or claims

of supremacy, so the holy stone

dominates no more than a

gray ridged stone from some place

in Asia, I guess,

or a cragged red one

I think I pilfered from Chaco Canyon.

Sometimes I shake the jar

just to make sure the nearly hidden

pebble-size green stones

rise briefly to the top.

ELVIS IN HUNGARY (poem)

January 29th, 2010

ELVIS IN HUNGARY

Elvis lives in the heart of the Hungarian plain.

At the Nameth Laszlo high school gym

where I’ve come to help the kids speak English

Nothing but a hound dog blasts from a black box

to celebrate tomorrow’s commencement rites.

A few students hum, three boys with headbands

and hippie wigs strum chords, the shortest

thrusting his hips back and forth.

Soft laughter, light applause.

Everyone is tired.

Even the young, as if the wheels of history

made a dead stop before they were born.

With a shrug in their voices and downward lilt

they say I don’t know when I ask

their greatest wishes. Maybe a house, a job,

a motor bike. Sleep.

None dreams about black horses

galloping across the plain from distant steppes,

riders on fire, flashing swords and shouting

words no one else can speak

to keep out the Ottomans, Austrians,

Nazis, Russians, hip-hop, Burger King,

porno flicks. Nobody weeps to gypsy violins,

dances the czardas, wears brightly embroidered

blouses and skirts, wonders about life

before microwaves and computers.

Suddenly I feel at home.

THOSE WHITE THINGS (poem)

January 29th, 2010

THOSE WHITE THINGS

They could be moths, feathers

shed by faraway swans, sheaves

of wheat from the heavens

as if the old gods still rule,

a tour group with torn wings

that must flock together

for a few days lest they miss the ride home—

Damn! Some well-meaning fool ruins my fun

by telling me they’re ordinary seed pods

from sycamore trees that return every spring.

And they become just another irritant

that reddens my eyes.

SUNSET BOULEVARD: for Gloria Swanson (poem)

January 29th, 2010

SUNSET BOULEVARD:

–for Gloria Swanson

On the thin rope between desire and madness

strung above her moldering once opulent mansion

the old movie queen struts over and over

stumbling at times but recovering quickly,

forever to crave the lights and cameras,

those wonderful people out there in the dark,

always prepared for the next close-up,

pistol in hand to hush anyone who’d dare say

the audience left decades ago.

Gloria, aka the great Norma Desmond,

you must have realized how much alike

the two of you. And knew about the rush

of lingering wishes

even as death’s footsteps rapidly approach

from just beyond camera range.

OVERHEARD IN HUNGARY, 2008 (poem)

January 26th, 2010

OVERHEARD IN HUNGARY, 2008

It was better before the revolution.

We had jobs, houses, food, didn’t need

to think much. In fact, thinking was banned

beyond small daily decisions—

shall it be cabbage or potatoes,

potatoes or cabbage?

Rocked in steel cradles that stanched

our crying before it began

we knew exactly what to do: a few

hosannahs and hymns to satisfy

our stiffly uniformed guards,

If restless we could take the cure

in spas vast as Roman circuses,

cared for by nurses with lions’ claws.

SPINOZA, IRENE, THE FUR BLANKET (poem)

January 22nd, 2010

SPINOZA. IRENE, AND THE FUR BLANKET

My friend Irene had a real fur blanket

big enough to cover both of us

when we pushed our cots together

at summer camp,

rescued from Berlin by her parents,

forced to leave in ’38.

Alone now and cold as the snow

where I lost a silver bracelet

sledding in Central Park with Irene

I think of Spinoza the Lens-Grinder,

expunged in 1656 by the Amsterdam rabbis

for daring to break from Jewish tradition,

an act which might upset the good Burghers

who welcomed Jews forced to flee

Portugal and Spain,

doctors, philosophers, bankers–

as long as they kept their distance.

Bento, the name Spinoza preferred,

continued to celebrate

pure reason over blind faith

all the while grinding the finest of lenses—

sharp enough, I’m sure, to help me find

Irene and her blanket, my bracelet,

but it’s already too late.

AUNT MILLY’S EYES (poem)

January 20th, 2010

AUNT MILLY’S EYES

(Upon visiting my 96-year-old aunt in Revivim, Israel)

As if trapped in the headlights

of a fast approaching car

the eyes of my aunt

first strike me as fearful,

then hurt with a hint of anger:

how dare you, the living, let me get so old?

The sun’s angle on the red

and gold stripes of her camelhair rug

shifts so slowly it seems to remain the same

like my aunt herself, a small sculpted figure

in the same chair, day after day,

opening and closing a book

she says with a laugh that

she’s read many times.

I admire the Brooklyn night- scene

on the opposite wall

for which she’d won first prize

in a city-wide contest, 1929.

Oh that? But it’s so dark. . .

My life is over, there’s

nothing more I want,

yet I don’t want to die,

her voice rising

but not the least defiant.

The bus is almost here, time

for one last glance, her eyes

now sage-green as the eyes

of ancient statues, their gems

long ago gone, but the eyes wide-open,

serene as  a Rembrandt portrait.